{"id":489,"date":"2017-12-18T22:28:32","date_gmt":"2017-12-18T22:28:32","guid":{"rendered":"http:\/\/legsedition.net\/public\/?page_id=489"},"modified":"2026-02-18T14:32:25","modified_gmt":"2026-02-18T14:32:25","slug":"collection-critique","status":"publish","type":"page","link":"https:\/\/legsedition.net\/public\/collection-critique\/","title":{"rendered":"Collection Critique"},"content":{"rendered":"<p>Dir. <a href=\"https:\/\/legsedition.net\/public\/dieulermesson-petit-frere\/\" target=\"_blank\" rel=\"noopener\">Dieulermesson Petit Fr\u00e8re<\/a><\/p>\n<p><a href=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2023\/07\/dieulermesson.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-5726\" src=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2023\/07\/dieulermesson.jpg\" alt=\"\" width=\"169\" height=\"163\" srcset=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2023\/07\/dieulermesson.jpg 845w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2023\/07\/dieulermesson-300x288.jpg 300w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2023\/07\/dieulermesson-768x738.jpg 768w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2023\/07\/dieulermesson-600x577.jpg 600w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2023\/07\/dieulermesson-167x160.jpg 167w\" sizes=\"(max-width: 169px) 100vw, 169px\" \/><\/a>L\u2019histoire de la critique litt\u00e9raire en Ha\u00efti remonte \u00e0 l\u2019\u00c9cole de 1836, pr\u00e9cis\u00e9ment \u00e0 \u00c9mile Nau, auteur de <em>Reliques d\u2019un po\u00e8te ha\u00eftien<\/em> qui ne sont autre que des notes sur la po\u00e9sie de Coriolan Ardouin. Le d\u00e9but du 20\u00e8me si\u00e8cle doit beaucoup \u00e0 des \u00e9crivains comme Seymour Pradel, Edmond Laforest, les membres des revues\u00a0<em>Jeune Ha\u00efti<\/em> et <em>La Ronde<\/em>.<\/p>\n<p>Aussi depuis la g\u00e9n\u00e9ration de Pompilus et Berrou, Fardin, Christophe Charles et Arnold Jean, la critique litt\u00e9raire entre-t-elle dans une p\u00e9riode de stagnation sans pr\u00e9c\u00e9dent. Le discours est statique, la recherche n\u2019est pas assez encourag\u00e9e, de telle sorte que l\u2019on assiste \u00e0 une sorte de r\u00e9p\u00e9tition mutuelle.<\/p>\n<p>La collection <em>Critique<\/em> se propose de renouveler le discours sur la chose litt\u00e9raire ha\u00eftienne en mettant l\u2019accent sur les textes, non sur la vie des \u00e9crivains. Question de sortir la critique des st\u00e9r\u00e9otypes, des accrocs du biographisme et de la paresse intellectuelle.<\/p>\n<p><strong>\u0152uvres publi\u00e9es<\/strong><\/p>\n<p><a href=\"https:\/\/legsedition.net\/public\/ayiti-cheri-poesie-haitienne-1800-2015\/\" target=\"_blank\" rel=\"noopener\"><em>Ayiti Cheri. Po\u00e9sie ha\u00eftienne (1800-2015)<\/em><\/a>, Yasmina Tippenhauer<\/p>\n<p><a href=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2017\/12\/2b24d9_1d7f24218080466699e9942a4129c3d9mv2.png\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-medium wp-image-565 alignleft\" src=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2017\/12\/2b24d9_1d7f24218080466699e9942a4129c3d9mv2-199x300.png\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2017\/12\/2b24d9_1d7f24218080466699e9942a4129c3d9mv2-199x300.png 199w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2017\/12\/2b24d9_1d7f24218080466699e9942a4129c3d9mv2-106x160.png 106w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2017\/12\/2b24d9_1d7f24218080466699e9942a4129c3d9mv2.png 308w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p>___________________________________________________________________<\/p>\n<p><a href=\"https:\/\/legsedition.net\/public\/haiti-litterature-et-decadence-essai-sur-la-poesie-de-1804-2010\/\" target=\"_blank\" rel=\"noopener\"><em>Ha\u00efti : litt\u00e9rature et d\u00e9cadence. \u00c9tudes sur la po\u00e9sie de 1804 \u00e0 2010<\/em>,<\/a> Dieulermesson Petit Fr\u00e8re<\/p>\n<p><a href=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Screenshot-205.png\"><img decoding=\"async\" class=\"alignleft wp-image-4061 size-medium\" src=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Screenshot-205-200x300.png\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Screenshot-205-200x300.png 200w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Screenshot-205-107x160.png 107w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Screenshot-205.png 301w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p>___________________________________________________________________<\/p>\n<p><a href=\"https:\/\/legsedition.net\/public\/50-livres-haitiens-cultes-quil-faut-avoir-lus-dans-sa-vie\/\" target=\"_blank\" rel=\"noopener\"><em>50 livres ha\u00eftiens cultes qu&rsquo;il faut avoir lus dans sa vie<\/em><\/a>, Dieulermesson Petit Fr\u00e8re, Mirline Pierre, Webert Charles<\/p>\n<p><a href=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Cover_50-livres.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4062 size-medium\" src=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Cover_50-livres-200x300.png\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Cover_50-livres-200x300.png 200w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Cover_50-livres-106x160.png 106w, https:\/\/legsedition.net\/public\/wp-content\/uploads\/2021\/07\/Cover_50-livres.png 302w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dir. Dieulermesson Petit Fr\u00e8re L\u2019histoire de la critique litt\u00e9raire en Ha\u00efti remonte \u00e0 l\u2019\u00c9cole de 1836, pr\u00e9cis\u00e9ment \u00e0 \u00c9mile Nau, auteur de Reliques d\u2019un po\u00e8te ha\u00eftien qui ne sont autre que des notes sur la po\u00e9sie de Coriolan Ardouin. Le&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-489","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Collection Critique | LEGS &Eacute;DITION<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/legsedition.net\/public\/collection-critique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Collection Critique | LEGS &Eacute;DITION\" \/>\n<meta property=\"og:description\" content=\"Dir. 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Dieulermesson Petit Fr\u00e8re L\u2019histoire de la critique litt\u00e9raire en Ha\u00efti remonte \u00e0 l\u2019\u00c9cole de 1836, pr\u00e9cis\u00e9ment \u00e0 \u00c9mile Nau, auteur de Reliques d\u2019un po\u00e8te ha\u00eftien qui ne sont autre que des notes sur la po\u00e9sie de Coriolan Ardouin. 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