{"id":5286,"date":"2023-04-30T14:25:08","date_gmt":"2023-04-30T14:25:08","guid":{"rendered":"https:\/\/legsedition.net\/public\/?p=5286"},"modified":"2026-01-25T12:49:18","modified_gmt":"2026-01-25T12:49:18","slug":"bruler-les-tenebres","status":"publish","type":"post","link":"https:\/\/legsedition.net\/public\/2023\/04\/30\/bruler-les-tenebres\/","title":{"rendered":"Br\u00fbler les t\u00e9n\u00e8bres"},"content":{"rendered":"

\"\"<\/a>Auteur :\u00a0<\/strong>Witensky Lauvince<\/a><\/p>\n

Titre :\u00a0<\/strong>Br\u00fbler les t\u00e9n\u00e8bres\u00a0\u00a0<\/em><\/p>\n

Collection :\u00a0<\/strong>Po\u00e9sie<\/a><\/p>\n

Couverture :\u00a0Sergine Andr\u00e9\u00a0<\/a><\/strong>(City lights #3, 2017, Oil on canvas 65×54<\/em>)<\/p>\n

Date de parution :\u00a0<\/strong>30 avril 2023<\/p>\n

ISBN :\u00a0<\/strong>978-99970-71-30-9 | Commander ICI<\/a><\/p>\n

Prix<\/strong>\u00a0: $ 9.97<\/p>\n

Prix International l’Invention Po\u00e9tique 2022<\/strong><\/h6>\n

Il y a dans la po\u00e9sie de Witensky Lauvince quelque chose de grave et de lumineux qui s’assimile \u00e0 des feux follets, t\u00e9moins de la trans-figuration des ombres nocturnes en une v\u00e9g\u00e9tation \u00e9clatante de beaut\u00e9. Tant\u00f4t flamme, tant\u00f4t soleil, la parole du po\u00e8te est d’une incandescence de haute port\u00e9e qui em-brase la d\u00e9ch\u00e9ance pour faire place au d\u00e9sir absolu de faire vivre l’espoir et rena\u00eetre les r\u00eaves calcin\u00e9s des cendres de l’oubli.<\/p>\n

Br\u00fbler les t\u00e9n\u00e8bres<\/em> se veut une grande plong\u00e9e dans l\u2019univers du r\u00eave, des imageries \u00e0 teneur elliptique et \u00e9vasive.<\/p>\n

Point de vue de l’\u00e9diteur<\/strong><\/h6>\n

Br\u00fbler les t\u00e9n\u00e8bres\u00a0\u00a0<\/em>de Witensky Lauvince se situe dans la tradition ha\u00eftienne et carib\u00e9enne d\u2019une po\u00e9sie lue \u00e0 voix haute et pr\u00e9sente une double proposition : \u00a0des moments d\u2019une grande \u00e9conomie ponctu\u00e9e de fulgurances, d\u2019autres constitu\u00e9s d\u2019un flot de m\u00e9taphores, d\u00e9versoir d\u2019un trop-plein.<\/p>\n

Le Jury du Prix<\/strong><\/h6>\n
[extrait 1]<\/h5>\n

Faillite de l’espoir<\/strong><\/em><\/p>\n

chez moi
\n<\/em>la mort court les rues
\n<\/em>jamais essouffl\u00e9e
\n<\/em>monstre l\u00e2ch\u00e9 par les fossoyeurs de jours
\n<\/em>et pourvoyeurs de t\u00e9n\u00e8bres.
\n<\/em>elle a d\u00e9j\u00e0 \u00e9ventr\u00e9 tant de lendemains
\n<\/em>align\u00e9 en troph\u00e9es
\n<\/em>tant de projets mitraill\u00e9s
\n<\/em>qu’on pense souvent
\n<\/em>\u00e0 la faillite de l\u2019espoir.<\/em><\/p>\n

[extrait 2]<\/h5>\n

Rivi\u00e8re muette<\/strong><\/em><\/p>\n

mon c\u0153ur te suivra <\/em>
\npas \u00e0 pas jusqu’\u00e0 ton pays <\/em>
\njetant des fleurs sous tes pieds<\/em><\/p>\n

moi, je m’endormirai<\/em>
\ndans chacun de tes r\u00eaves \u00e9veill\u00e9s<\/em>
\net cognerai \u00e0 la porte<\/em>
\nde toutes tes nuits ferm\u00e9es<\/em><\/p>\n

je compterai chaque oc\u00e9an<\/em>
\njusqu’au tien <\/em>
\nsans pouvoir pour autant les nommer<\/em><\/p>\n

je laisserai cette m\u00e9moire <\/em>
\nte parler d’amour et plus encore<\/em>
\nmais moi, je ne dirai rien<\/em><\/p>\n

je serai rivi\u00e8re muette<\/em>
\nqui ne sait plus chanter.<\/em><\/p>\n

[Extrait 3]<\/h5>\n

Po\u00e8me contre le confinement<\/b><\/p>\n

je t’\u00e9cris un po\u00e8me <\/span>aux c\u00f4tes perc\u00e9es<\/span> par <\/span>la distance
\n<\/span>mais qui ne tra\u00eene pas sur quatre pattes
\n<\/span>un po\u00e8me fait de chair et de sang
\n<\/span>d’amour et d’eau b\u00e9nite
\n<\/span>au mitan d’un samedi qui n’a pas cri\u00e9 son nom glorieux<\/span><\/em><\/p>\n

je t’\u00e9cris un po\u00e8me pas tr\u00e8s catholique
\n<\/span>qui n’a pas fait le tour des rues<\/em>
\nsur le chemin de croix
\n<\/span>en ce vendredi bien moins sain(t)<\/span><\/em><\/p>\n

[…]<\/p>\n

je t’\u00e9cris un po\u00e8me sans cache-nez
\n<\/span>sans risque de contamination
\n<\/span>aucun de ses vers n’est suspect<\/em>
\nmais un po\u00e8me qui bande
\n<\/span>devant le danger : des porteurs-seins<\/span><\/em><\/p>\n

je t’\u00e9cris un po\u00e8me qui abhorre \u00e0 pr\u00e9sent ton cache-sexe
\n<\/span>un po\u00e8me que tu clouerais au clitoris<\/span><\/em><\/p>\n

[…]<\/p>\n

un po\u00e8me pour te dire <\/span>
\n<\/span>que l’amour a mille fa\u00e7ons de d\u00e9fier<\/span>
\n<\/span>l’homme,<\/span>
\n<\/span>le temps, <\/span>
\n<\/span>les circonstances<\/span>
\n<\/span>de survivre \u00e0 leurs attaques<\/span>
\n<\/span>et qu’il nous mettra encore \u00e0 deux<\/span>
\n<\/span>corps contre corps<\/span>
\n<\/span>quand viendra enfin <\/span>la nouvelle saison<\/span>.<\/span><\/em><\/p>\n

\u00c0 propos de l\u2019auteur :<\/strong><\/p>\n

Witensky Lauvince est n\u00e9 dans la ville de L\u00e9og\u00e2ne, la cit\u00e9 d\u2019Anacaona, le 29 d\u00e9cembre 1996. Po\u00e8te, romancier, blogueur et journaliste, il a entrepris des \u00e9tudes de droit \u00e0 l\u2019Universit\u00e9 d\u2019\u00c9tat d\u2019Ha\u00efti. Finaliste de la 6e<\/sup> \u00e9dition du Prix International de po\u00e9sie\u00a0: Sur les traces de L\u00e9opold Sedar Senghor en 2020, il re\u00e7oit, plus tard, une mention sp\u00e9ciale du jury du \u00ab\u00a0Prix Matiah Eckhard 2022\u00a0pour \u00ab\u00a0Le chant du po\u00e8me\u00a0\u00bb. En 2022, il est laur\u00e9at de la premi\u00e8re \u00e9dition du\u00a0Prix International de l’invention Po\u00e9tique pour son manuscrit\u00a0Br\u00fbler les t\u00e9n\u00e8bres,\u00a0<\/em>qui\u00a0est son premier recueil de po\u00e8mes.<\/p>\n

\n

Dans la presse: <\/strong><\/p>\n

Witensky Lauvince, boulimique de lecture<\/a>,\u00a0\u00a0Huguette H\u00e9rard,\u00a0Le National,\u00a0<\/em>23 juin 2023.<\/p>\n

\u00ab\u00a0\u00c0 la rencontre des laur\u00e9ats du Prix International de l\u2019Invention Po\u00e9tique : Un dialogue po\u00e9tique avec Witensky Lauvince et Ar Guens Jean Mary<\/a>\u00a0\u00bb, Wilbert Ant\u00e9nor,\u00a0Le Temps litt\u00e9raire,\u00a0<\/em>30 mai 2023.<\/p>\n

—<\/p>\n

\u00c0\u00a0propos du prix et du Festival\u00a0<\/strong><\/p>\n

Mai-Po\u00e9sie, 2eme \u00e9dition<\/a>,\u00a0Montray Kr\u00e9yol,\u00a0<\/em>10 mai 2023.<\/p>\n

bokantaj \u00e9pi faubert bolivar – balisaille – mai po\u00e9sie 2023<\/a>, Radio Apal Direct,\u00a0<\/em>4 mai 2023.<\/p>\n

D. Petit Fr\u00e8re, Mai po\u00e9sie: un pari r\u00e9ussi<\/a>,\u00a0Le Nouvelliste,\u00a0<\/em>1er juin 2022.<\/p>\n

Schultz Laurent Junior, Deux jeunes po\u00e8tes ha\u00eftiens ont gagn\u00e9 le Prix international de l\u2019invention po\u00e9tique<\/a>,\u00a0Le National,\u00a0<\/em>1er juin 2022.<\/p>\n

Claude Bernard S\u00e9rant,\u00a0Balisaille : parler la po\u00e9sie au pays d\u2019Aim\u00e9 C\u00e9saire<\/a>,\u00a0 Le Nouvelliste,\u00a0<\/em>26 mai 2022.<\/p>\n

Claude Bernard S\u00e9rant,\u00a0Faubert Bolivar autour du Prix international de l\u2019invention po\u00e9tique et de la traduction en langue (s) cr\u00e9ole(s)<\/a>,\u00a0Le Nouvelliste,\u00a0<\/em>15 mars 2022.<\/p>\n

\n

avec le soutien de :\u00a0<\/strong><\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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